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Text columns can contain any text you enter. Boolean columns provide a check box. To customize List view columns: Choose Edit Columns from the More menu in the Media window, and do any of the following:. To display a column, select the option next to the column. To rename a column, select a column name, click Rename, and edit the name. To remove a column, select a column name and click Remove.

To rearrange columns, select a column name and click Move Up or Move Down. You can also rearrange columns by dragging them horizontally in the Media window.

Note: If you cant locate or change a column attribute in the Edit Columns dialog box, the attribute is locked by Adobe Premiere Elements and cannot be changed. For example, you can change the names of columns you added, but not the names of columns built into Adobe Premiere Elements. To display more properties, customize list view columns. You can display any of the following properties: Name By default, displays the clip name on disk.

You can change the name the clip uses inside the project. You cannot remove the Name eld. See Renaming, deleting, and nding items on page Label Color that helps identify and associate clips.

See Labeling items in the Media window on page Media Start The timecode when capture started. Media End The timecode when capture ended. Media Duration Length of the captured media on disk, expressed in the Display Format specied in the General section of the Project Settings dialog box. See Specifying General settings on page Note: In Adobe Premiere Elements, all durations in any window include the frames specied by the In point and Out point. For example, setting the In point and Out point to the same frame results in a duration of one frame.

Video Duration The duration of the clip as dened by the Video In point and Out point and incorporating any adjustments applied in Adobe Premiere Elements, such as changing the clip speed.

Audio Duration The duration of the clip as dened by the Audio In point and Out point and incorporating any adjustments applied in Adobe Premiere Elements, such as changing the clip speed. Video Info The frame size and aspect ratio of the clip, and whether an alpha channel is present.

Audio Info The audio specications of the clip. Video Usage The number of times the video component of a clip is used in the movie. Audio Usage The number of times the audio component of a clip is used in the movie. Tape Name The name of the tape the clip was captured from. Enter this name if desired.

Description A description of the clip. Enter a description if desired. Comment Text intended for identication and sorting purposes. Log Note Text that was entered using the Log Note option when a clip was captured using the Capture window. Capture Settings Species whether a le was captured in the current project. Status Species whether a clip is online or ofine. If a clip is ofine, this option also indicates why.

Scene Text that was entered using the Capture windows Scene option when capturing video using Adobe Premiere Elements.

Good Indicates preferred clips. Labeling items in the Media window Labels are colors that help you identify and associate clips. You assign and view labels in the Media and Timeline windows. To display the Label column in the Media window, see Customizing List view on page To assign a label to a clip: 1 In the Media or Timeline window, select a clip.

To select all clips using the same label: 1 Select a clip that uses the label. Note: Label defaults affect clips you add to the Media window from the time you change the defaults; the command doesnt change label colors for clips already in the Media window. Undoing and redoing changes If you change your mind about an edit or effect, Adobe Premiere Elements provides several ways to undo your work.

You can undo only those actions that alter video content; for example, you can undo an edit, but you cannot undo scrolling a window. To undo or redo changes: Do one of the following:. To undo or redo the most recent change, click the Undo button or the Redo button in the task bar.

You can sequentially undo a series of recent changes. To quickly jump to any change that occurred since you last opened a project, select an item in the History palette. See Using the History palette on page To stop a change that Adobe Premiere Elements is processing for example, when you see a progress bar , press Esc.

To undo changes made before you last saved a project, try opening a previous version in the Premiere Auto-Save folder. The number of changes you undo depends on the Auto Save preference settings. See Backing up projects with Auto Save on page Saving projects Saving a project saves your editing decisions, references to source les, and the most recent arrangement of windows.

Protect your work by saving often. To specify where Adobe Premiere Elements stores project-related les, such as captured video and audio, and video and audio previews, see Using scratch disks on page To save a project: Do one of the following:. Backing up projects with Auto Save To more easily revisit design decisions or recover from a crash, enable the Auto Save option.

This option automatically saves backup project les to the Adobe Premiere Elements Auto-Save folder at a specied time interval.

For example, you can set Adobe Premiere Elements to save a backup copy every 15 minutes, producing a series of les that represent the state of your project at each interval. Automatic saving serves as an alternative to the Undo command, depending on how much the project changes between each save. Because project les are quite small compared to source video les, archiving many versions of a project consumes relatively little disk space.

Select Automatically Save Projects, and type the number of minutes after which Adobe Premiere Elements will save the project. Type a number for the Maximum Project Versions to specify how many versions of each project le you want to save. For example, if you type 5, Adobe Premiere Elements saves ve versions of each project you open. If no les are available, the Auto Save preference may be turned off. Using scratch disks When you edit a project, Adobe Premiere Elements uses disk space to store les required by your project, such as captured video and audio, conformed audio, and preview les that you create manually or that are created automatically when exporting to certain formats.

Adobe Premiere Elements uses conformed audio les and preview les to optimize performance, allowing real-time editing, high processing quality, and efcient output. All scratch disk les are preserved across work sessions. If you delete preview les or conformed audio les, Adobe Premiere Elements automatically recreates them. By default, scratch les are stored where you save the project. The scratch disk space required increases as your movie become longer or more complex.

For best results, set up your scratch disks before you begin a project. Types of scratch disks While performance can be enhanced by setting each scratch disk type to a different disk, you can also specify folders on the same disk.

Captured Audio Folder or disk where Adobe Premiere Elements stores audio les that you capture using the Capture window. If the previewed area includes effects, the effects are rendered at full quality in the preview le.

Conformed Audio Imported audio converted to Adobe Premiere Elements specications for consistent high-quality playback as you edit.

See About conformed audio les on page Guidelines for maximizing scratch disk performance If your computer has only one hard disk, consider leaving all scratch disk options at their default settings.

For maximum performance, follow these guidelines:. Set up scratch disks on one or more separate hard disks. In Adobe Premiere Elements, its possible to set up each type of scratch disk to its own disk for example, one disk for captured video and another for captured audio. Specify your fastest hard disks for capturing media and storing scratch les. You can use a slower disk for audio preview les and the project le. Specify only disks attached to your computer.

A hard disk located on a network is usually too slow. Avoid using removable media because Adobe Premiere Elements always requires access to scratch disk les. Scratch disk les are preserved for each project, even when you close the project. Adobe Premiere Elements reuses these les when you reopen the project associated with them.

If scratch disk les are stored on removable media and the media is removed from the drive, the scratch disk wont be available to Adobe Premiere Elements. Although you can divide a single disk into partitions and set up partitions as scratch disks, this doesnt improve performance because the single drive mechanism becomes a bottleneck.

For best results, set up scratch disk volumes that are physically separate drives. Setting up scratch disks You set up scratch disks in the Scratch Disk panel of the Preferences dialog box. Before changing scratch disk settings, you can verify the amount of free disk space on the selected volume by looking in the box to the right of the path.

If the path is too long to read, position the pointer over the path name, and the full path appears in a tool tip. My Documents Stores scratch les in the My Documents folder.

Same as Project Stores scratch les in the same folder where the project is stored. Custom Indicates that the current path isnt in the pop-up menu. The current path isnt changed until you click Browse to specify any available disk location.

Specifying project settings Project settings determine the video and audio format of a project, including settings such as video frame rate and aspect ratio, and audio sample rate and bit depth. When you start a new project by using the welcome screen, you can review and change project settings by clicking the Setup button and choosing New Preset.

You should do so only if none of the available presets matches the specications of your source media. See Creating project presets on page Note that some settings such as frame rate, size, and aspect ratio cant be changed after a project is createdverify all project settings before starting a project.

If you need to specify lower-quality settings for output such as streaming web video , dont change your project settingsinstead, change your export settings. Project settings are organized into the following categories: General Settings Control the fundamental characteristics of the project, including the method Adobe Premiere Elements uses to process video Editing Mode , count time Display Format , and play back video Timebase. Capture Settings Control how Adobe Premiere Elements transfers video and audio directly from a deck or camcorder.

Other Project Settings panels do not affect capturing. The contents of this panel depend on the editing mode. See Guidelines for connecting other sources on page 47 and Troubleshooting DV capture problems on page Video Rendering Controls the frame size, picture quality, compression settings, and aspect ratios that Adobe Premiere Elements uses when you play back video from the Timeline window the window where you edit your video program.

See Specifying Video Rendering settings on page Default Timeline Controls the number of video tracks and the number of audio tracks for new movies you create. Specifying General settings General settings should match the most common source media in your project for example, if most of your footage is DV, use the DV Playback editing mode.

Changing these settings arbitrarily may result in a loss of quality. Note: The Editing Mode setting should represent the specications of the source media, not the nal output settings.

Specify output settings when you export. See Exporting video for hard disk playback on page Do not confuse timebase with the frame rate of the video you play back or export from projects, although timebase and frame rate often use the same value.

Playback Settings This button is available when you use a DV preset, choose the DV Playback editing mode, or install a plug-in that provides additional playback functions. When you use the DV Playback editing mode, use this option to indicate where you want your previews to play back: on your DV camcorder or other connected device or on your desktop. For information on the playback settings available for third-party plug-ins, see the documentation provided by the manufacturer of the plug-in.

Frame Size Species the dimensions, in pixels, for frames when you play back projects. In most cases, the frame size for your project should match the frame size of your source media.

Dont change the frame size in order to compensate for slow playbackinstead, adjust playback resolution by choosing a different Quality setting from the More menu in the Media window, or adjust the frame size of nal output by changing Export settings. Pixel Aspect Ratio Sets the aspect ratio for individual pixels. If you use a pixel aspect ratio that is different from your video, the video may play back and render with distortion.

See About aspect ratios on page Fields Species the eld dominance, or which eld of each frames interlaced elds is drawn rst. Note that many capture cards capture elds regardless of whether you shot progressive scan footage.

Display Format video Species the way time appears throughout the project. The time display options correspond to standards for editing video and motion-picture lm.

For PAL video, choose 25 fps Timecode. For more information about these formats, see the Glossary on page Title Safe Area Sets how much of the frame edge to mark as a safe zone for titles, so that titles arent cut off by televisions that zoom the picture slightly to enlarge it. A rectangle with cross-hairs marks the title-safe zone when you click the Safe Zones button in the Monitor window.

Titles are usually assumed to require a wider safe zone than action. Action Safe Area Sets how much of the frame edge to mark as a safe zone for action so that action isnt cut off by televisions that zoom the picture slightly to enlarge it.

A rectangle marks the action-safe zone when you click the Safe Zones button in the Monitor window. Scale Clips To Project Dimensions When Adding To Timeline Adjusts imported video and still images so that they t within the frame, if they are larger or smaller than the frame.

Sample Rate Identies the audio sample rate dened by the project preset. Options are 32 kHz or 48 kHz. In general, higher rates provide better audio quality when you play back audio in projects, but they require more disk space and processing.

Resampling, or setting a different rate from the original audio, also requires additional processing time and affects the quality. Try to record audio at a high-quality sample rate, and capture audio at the rate at which it was recorded. Display Format audio Species whether audio time display is measured by using audio samples or milliseconds.

By default, time is displayed in frames, but it can be displayed in audio units for sample-level precision when you are editing audio. Specifying Capture settings If youre capturing DV source media, you dont need to change capture settings. Additional capture formats and options may appear if you install other software, such as software included with a capture card certied to be compatible with Adobe Premiere Elements.

The codec is dened by the project preset; you cannot change it because it must conform to the DV standard. Note: If you use a clip in your video program without applying effects or changing frame or time characteristics, Adobe Premiere Elements uses the clips original codec for playback.

If you make changes that require recalculation of each frame, Adobe Premiere Elements applies the codec identied here. Color Depth Indicates the number of colors included in rendered video. This setting is determined by the project preset; you cannot change it. Optimize Stills Select this option to use still images efciently in projects.

Deselect this option if projects exhibit playback problems when displaying still images. Specifying Default Timeline settings Default Timeline settings determine how many video and audio tracks appear in the Timeline window when you create a new project.

Creating project presets If none of the built-in presets matches the format of your source footage, you can save a customized set of project settings as a preset, which you can apply to new projects. The procedure for creating a preset differs if youre changing settings for an open project versus establishing settings for a new project.

If you want to back up or distribute preset les, you can nd them in the Settings subfolder of the Adobe Premiere Elements folder on your hard disk. If you have a capture card that includes presets for capturing from Adobe Premiere Elements, installing the cards software also installs the presets.

Manufacturer-supplied presets are tested with the manufacturers hardware, so you should not change their settings.

To create a preset from settings for an open project: 1 In the Project Settings dialog box, click Save. Save and name your project settings even if you plan to use them in only one project. Saving settings creates a backup copy you can use if someone accidentally alters the current project settings. To create a preset when starting a new project: 1 Do one of the following to access the welcome screen:.

Capturing Video and Adding Files Preparing your system for capture Adobe Premiere Elements includes all of the tools necessary to acquire the footage from your DV camcorder so that you can begin assembling your movie. The process, called capturing, is easy; you simply connect your DV camcorder to your computer, and then enable the Capture command in Adobe Premiere Elements.

However, before you capture, it is important to make sure that your system is set up appropriately for working with digital video. Following are some general guidelines for ensuring a DV-capable system: Note: Adobe Premiere Elements supports capture only from video camcorders, not digital still-image cameras.

To use photos from digital cameras, you need to transfer the footage to your hard disk, and then add them to your project. This port may either be built into your computer or available on a PCI or PC card often referred to as a capture card that you install yourself. A majority of computers manufactured in the last two years include onboard IEEE cards. See Connecting your DV camcorder to your computer on page Make sure that your hard disk is fast enough to capture and play back digital video.

The speed at which digital video les transfer information, called the data transfer rate often shortened to data rate , is 3. The data transfer rate of your hard disk should meet or exceed this rate. To achieve this rate, your hard disk must be able to operate at rpm.

Most hard disks manufactured in the last ve years have this capability. To conrm the rate or rpm speed of your hard disk, see your computer or hard disk documentation. Make sure that you have sufcient disk space for the captured footage. Five minutes of digital video occupies about one gigabyte of hard disk space. Though the Capture window in Adobe Premiere Elements indicates the duration of footage that you can capture based on the remaining space on your hard disk, be certain beforehand that you will have sufcient space.

Make sure that you periodically defragment your hard disk. Writing to a fragmented disk can cause disruptions in your hard disks write speed, causing you to lose, or drop, frames as you capture. If your computer does not have a built-in IEEE port, you can purchase an IEEE card separately see your computers documentation for more information. If your DV camcorder does not include an IEEE cable, you can purchase one at any computer, camera, or consumer electronics outlet.

Other camcorders may go into a sleep or other inactive mode if left in camera mode without being activated for a period of time. To ensure the camcorder doesnt go into these inactive modes, connect your camcorder to its power adapter when setting it up for capture. Guidelines for connecting other sources Before DV camcorders were widely manufactured, most people used camcorders that recorded video onto VHS or 8mm tapes, among other tape formats.

These formats are called analog formats, and the video recorded and stored on them is called analog video. To use video from analog sources in your Adobe Premiere Elements project, you must rst convert the footage to digital data, or digitize it, because Adobe Premiere Elements only accepts direct input from digital sources.

To digitize your footage, you can use either your DV camcorder or a standalone device that performs analog-to-digital conversion. You can perform a successful conversion by using one of the following methods:. Use your DV camcorder to output a digital signal on-the-y from an analog input. Connect the analog source to input jacks on your DV camcorder and connect the DV camcorder to the computer.

Not all DV camcorders support this method. See your camcorder documentation for more information. Use your DV camcorder to record footage from your analog source. Connect your analog sources output to the analog inputs on your DV camcorder. Then, just record your analog footage to DV tape. When you are nished recording, Adobe Premiere Elements can then capture the footage from the DV camcorder.

This is a very common procedure. See your camcorder documentation for more details on recording from analog sources. Use an analog-to-digital converter to bridge the connection between your analog source and the computer.

Connect the analog source to the converter and connect the converter to your computer. Adobe Premiere Elements will then capture the digitized footage. Analog-to-digital converters are available in many larger consumer electronics stores. Note: If you capture using an analog-to-digital converter, you may have to capture without using device control. For information about device control, see Capturing video with device control on page For more information on capturing without device control, see Capturing clips without using device control on page Capturing video Use the Capture window to monitor the video and access all of the capture commands.

This window includes a video preview area, recording controls, a disk-space indicator, and a timecode display. From the Capture window menu, accessed when you click the More button, you can view and edit your current capture settings. You open the Capture window by clicking the Capture button in the task bar. You can also open it from the welcome screen, which appears when the application opens. See Capturing video with device control on page Capturing video with device control You can perform all of your capturing work within the Capture window, which contains buttons that you use to directly control your camcordera method called device control.

Device control provides a convenient way to locate and capture scenes. Note: If you cannot use device control to capture, see Capturing clips without using device control on page Capture window playback controls A. Capture B. Previous Scene C. Next Scene D. Rewind E. Step Back Left F. Play G. Shuttle H. Step Forward Right I. Fast Forward J. Pause K. To operate Capture window controls by using the keyboard, see the tool tips in the Capture window. If you are capturing select scenes from the tape, as opposed to capturing the entire tape, capture at least three seconds of additional footage called handles at both the beginning and end of the capture to ensure a margin of error during capture.

Handles also allow for cleaner transitions and more exibility when you trim your clips. For more information, see Understanding how transitions use trimmed frames on page , Trimming frames from a clip on page 80, and Using the default scene detection option on page For details about troubleshooting capture, see Troubleshooting DV capture problems on page Link, or IEEE Note: Some camcorders have a USB port for transfer of data.

Do not use this port for capture. Dont set the camcorder to a recording mode, such as Camera or Movie. Open a new or existing project, and then click the Capture button in the task bar. Make sure that the Capture Format menu shows your DV camcorder and that the text to the right of the menu reads Capture module installed. For information on these settings, see Using the default scene detection option on page 50 and Automatically capturing directly to the Timeline window on page Using Help Contents Index Back To use the Current Position Timecode, drag the display or click it and enter the timecode you want.

If you are using Scene Capture, quickly advance to the next or previous scenes by clicking the Next Scene button or the Previous Scene button.

Download Free PDF. Fidan Luthfullahi. A short summary of this paper. PDF Pack. People also downloaded these PDFs. People also downloaded these free PDFs. Download Download PDF. Translate PDF. It walks you through a variety of popular editing tasks, like cropping, sharpening, correcting colors, and removing blemishes.

Guided edit is really easy to use:. Go to Guided Edit. If you already have an image open, it appears in the Guided Edit window automatically. If you have several photos in the Project bin, then you can switch images by double-clicking the thumbnail of the one you want to work on.

Guided Edit gives you step-by-step help with basic photo editing. Just use the tools that appear in the right-hand panel once you choose an activity, like the ones shown here. Choose what you want to do. Your options are grouped into major categories like Basic Photo Edits and Color Correction, with a variety of specific projects under each heading. If several steps are involved, then Elements shows you only the buttons and sliders you need to use for the current step, and then switches to a new set of choices for the next step as you go along.

If you want to start over, click Reset. If you change your mind about the whole project, click Cancel. If there are more steps, then you may see another set of instructions. If you click one, up pops the Adobe Elements Inspiration Browser, a mini-program that lets you watch tutorials, as you can see in Figure You need a Photoshop. The Inspiration Browser offers a wealth of tutorials on many different Elements-related topics. Some are videos, and others are in PDF format. The first time you start the Inspiration Browser, you may see a license agreement for yet another program: Adobe AIR, which lets other programs show you content stored online without you having to launch a web browser and navigate to a website.

Adobe AIR got installed automatically along with Elements. The tutorials are all in either PDF or video format. You can also click on one of the column headings to see the available tutorials arranged by title, author, difficulty, date posted, category, type video or PDF , or the average star rating people have given it. The Inspiration Browser is a wonderful resource and may well give you most of the Elements help you need beyond this book.

Elements has a couple of really wonderful features to help you avoid making permanent mistakes: the Undo command and the Undo History panel. No matter where you are in Elements, you can almost always change your mind about what you just did. These keyboard shortcuts are great for toggling changes on and off while you decide whether you want to keep them. You can only go back sequentially. Slide the pointer down to redo your work.

You can also hop to a given spot in the list by clicking the place where you want to go instead of using the slider.

Just drag the slider up and watch your changes disappear one by one as you go. Be careful, though: You can back up only as many steps as Elements is set to remember. If Elements runs slowly on your machine, then reducing the number of history states it remembers try 20 may speed things up a bit. Always, always, always make a copy of your image and work on that instead.

Name the duplicate and then click OK in the dialog box. Find the original image and click its Close button the X or the red dot.

Choose Photoshop. Saving Your Work has more about saving. You should see quite a difference in your photo, unless the exposure, lighting, and contrast were almost perfect before. Auto Smart Fix is the quickest, easiest way to improve the quality of your photos. Top left: The original, unedited picture. Top right: Auto Smart Fix makes quite a difference, but the colors are still slightly off. Skip to main content. Start your free trial. Chapter 1. Finding Your Way Around Elements.

Getting Started. The Welcome Screen. Tip After you create your Photoshop. If You Have a Mac. Organizing Your Photos. Photo Downloader. Note These Photoshop. Tell Adobe you want an account.

Create your account. Confirm your account. Editing Your Photos. Panels, Bins, and Tabs. The Panel bin. The Project bin. Image windows. Note Because your view may vary, most of the illustrations in this book show only the image itself and the tool in use, without a window frame or tab boundary around it. Getting Help. Do you have a question about the Adobe Premiere Elements 9 or do you need help?

Ask your question here. Do you have a question about the Adobe Premiere Elements 9 and the answer is not in the manual? Provide a clear and comprehensive description of the problem and your question. The better your problem and question is described, the easier it is for other Adobe Premiere Elements 9 owners to provide you with a good answer. Below you will find the product specifications and the manual specifications of the Adobe Premiere Elements 9. Can't find the answer to your question in the manual?

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